[citation needed] This was a subject Shelley wrote a great deal about, especially around 1819, with this strongest version of it articulated the last famous lines of his "Defence of Poetry": "Poets are the hierophants of an unapprehended inspiration; the mirrors of the gigantic shadows which futurity casts upon the present; the words which express what they understand not; the trumpets which sing to battle, and feel not what they inspire; the influence which is moved not, but moves. If a speaker wants to express about a famous person or tell about an interesting subject either that speaker must be a scholar in that subject nor that the speaker personally close with the person whom he/she going to express as well as here the speaker has a strong connectivity with the west wind. In the previous cantos he wrote about the earth, the air and the water. Analysis of Ode to The West Wind – Stanza Two. Shelly, throughout the poem, appeals to the west wind to destroy everything that is old and defunct and plant new, democratic and liberal norms and ideals in the English society. It is an interpretation of his saying, If you are suffering now, there will be good times ahead. ." Each canto of the poem has its own theme which connects to the central idea. In addition, sea used to compare with “woman” but here Shelley compares the with the man. This shows the unique style of Shelley. 1792-1822 29 years A brilliant poet, an avowed atheist, anti-monarchical and anti-war. This purpose is also reflected in Shelley's ode.[1]. Ode to the West Wind Latest answer posted July 01, 2010 at 2:47:43 AM Describe the third stanza of the poem "Ode to the West Wind".Percy Bysshe Shelley's "Ode to the West Wind" This means that the wind is now no longer at the horizon and therefore far away, but he is exactly above us. [3], In ancient Greek tradition, an ode was considered a form of formal public invocation. 5 Pestilence-stricken multitudes: O thou, . Here the speaker admits himself that if he could have been a leaf or cloud or feel young and powerful he wouldn’t ask Westwind for help so he begs the Westwind to treat him as the Westwind treats the natural objects like waves and leaves and clouds. He says that though he falls upon the thorns and weighed him down and bowed his spirit which started out “tameless and swift and proud ” just like the Westwind itself. Hall, Spencer (ed.). There is also a confrontation in this canto: Whereas in line 57 Shelley writes "me thy", there is "thou me" in line 62. In this canto the wind is now capable of using both of these things mentioned before. That Shelley is deeply aware of his closedness in life and his identity shows his command in line 53. Through this reference the landscape is recalled again. 4 Yellow, and black, and pale, and hectic red, . The "locks of the approaching storm" (23) are the messengers of this bursting: the "clouds". (62). Start your 48-hour free trial to unlock this Ode to the West Wind study guide. But the most powerful call to the Wind are the lines: "Drive my dead thoughts over the universe/like withered leaves to quicken a new birth!" This leads to a break in the symmetry. "Research on the Translation of 'Ode to the West Wind' in China". Feel free to take this quiz and worksheet